Expanding Your Photographic Vision

August 22, 2008 · By Deb Phillips – The Photo Gal 

Close-up of a NAPA mud flap in Lewisville, North Carolina (Forsyth County). Deb Phillips, photographer.Can you guess what this unusual image is? For a hint, the photo is from the same subject of a previous article titled Simplicity. Even though both photos incorporate red and yellow as their dominant colors, those are not the true colors of this particular photo. Some fun experimentation led me to alter the original colors quite dramatically, and I liked this color rendition.

If you consider other components often found on this subject (keeping in mind the colors are different than what’s shown in this photo), you just might be able to guess the source of this close-up shot. Try pushing your mind beyond what you think you’re seeing in the photo, and see if you can come up with a few guesses.

If you’re stumped, or are in a hurry, keep reading. I’ll also share THREE TIPS on expanding your photographic vision. CLICK to read more.

Simplicity

August 7, 2008 · By Deb Phillips – The Photo Gal 

Red door on old Chevrolet truck in Lewisville, North Carolina (Forsyth County). Deb Phillips, photographer.This photo is of an old Chevrolet truck parked in a field near a local shopping center. The red is what first drew my attention. Besides the color red itself being a powerful component, I notice several other design elements that make this an appealing image.

The grass stalk is positioned on a third of the image, demonstrating what’s commonly referred to as the “Rule of Thirds,” a “rule” which is sometimes helpful in arranging a composition. The stalk’s yellowish color also nicely contrasts with the red door.

Then there’s the slightly bowed reflection of the stalk. It not only falls on a third, but it demonstrates the design principle of repetition.

The other lines and rust elsewhere in the image, as well as the rusted bolt, help break up the remaining space, asymetrically. Similarly, the water drops near the top of the image add visual interest to the dark recessed area that they interrupt.

The more I look at this image, the more intriguing it becomes. It’s easy to overlook simple scenes, yet they are often some of the most visually compelling.

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    The difficulty with color is to go beyond the fact that it's color – to have it be not just a colorful picture but really be a picture about something. It's difficult. So often color gets caught up in color, and it becomes merely decorative. Some photographers use [it] brilliantly to make visual statements combining color and content; otherwise, it is empty. —Mary Ellen Mark
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